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" A lot of directors tend to manipulate actors' vulnerability to get what they want, and that can work. "
George C. Wolfe
Vulnerability
Want
Work
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" There is a strange kind of parental pride when 'Topdog' ends up on Broadway, or 'Elaine Stritch.' "
George C. Wolfe
Pride
Broadway
Ends
" There is a real affection for these human beings on these stage that O'Neill really had. Out of that affection comes a lot of humor, which is unexpected when you think of 'The Iceman Cometh.' "
George C. Wolfe
Unexpected
Affection
Humor
" Commercial theater, in its agenda to appeal to everybody, is often at the expense of the unique vision of the artist. "
George C. Wolfe
Unique
Vision
Artist
" When I came to New York, I told everyone I was a writer/director, and they said, 'No.' There was a rule. You could be one or the other. They ordained me writer. But then I won the Obie for directing 'Spunk,' and the rules changed. "
George C. Wolfe
Said
New York
Rules
" The best of any artist is in their art. "
George C. Wolfe
Any
Artist
Best
" I think we all have a primal desire to know as much as we can to find out about where we come from. "
George C. Wolfe
Out
Come
Desire
" I think I am the first person of color to direct a major white play on Broadway. In 1993? That's astounding to me. And horrifying to me. "
George C. Wolfe
White
Color
I Am
" Theater should address the stories of its communities, or I don't know why it's here. "
George C. Wolfe
Theater
Why
Stories
" My first play, 'The Colored Museum,' was done in '86 at the Public Theater. "
George C. Wolfe
First
Museum
Play
" On different projects, different pieces of you will show up. Sometimes it's surprising which piece shows up. "
George C. Wolfe
You
Show
Sometimes
" I'm perpetually interested by living in places as an artist confronting challenges I've never confronted before and approaching them with as much craft and humanity as I can. "
George C. Wolfe
Challenges
Living
Humanity
" 'You Gotta Have Heart' is one of the most ridiculously perfect, amazing musical comedy songs ever. "
George C. Wolfe
Heart
You
Comedy
" I love working with actors who will just go, 'Oh O.K., let's try it and see where it goes,' and 'Let's see what we can discover.' "
George C. Wolfe
See
Working
Will
" Every single wave, when I was overwhelmed and poor and struggling in New York, there were these extraordinary people in New York who said, 'Come this way.' "
George C. Wolfe
Way
New York
Said
" I think there's an aspect of my soul, of my personality, that's very suited to directing. I like being in the room with actors; I love creating a safe space and a chaotic space for the discovery to take place. I love creating a sense of community. "
George C. Wolfe
Personality
Community
Love
" When 'Jelly's' went out on tour, no one really wanted it. It was undersold. And I knew if I gave 'Noise' to someone else, they would sell it as 'Stomp' with little dancing black boys. "
George C. Wolfe
Noise
Dancing
Black
" When I was little, I remember rehearsing starving so that when I got to New York I would know how to do it. "
George C. Wolfe
Remember
Got
How
" I was raised to believe that other people's suffering was my responsibility. "
George C. Wolfe
Responsibility
Suffering
Other
" It may take a while, but I think 'On the Town' has the potential for us to break down the boundaries between the traditional theatergoer who may have fond memories of the musical and those with a 'Broadway-is-not-for-me' agenda. "
George C. Wolfe
Memories
Down
Us
" To want to come to New York, you have to have a sense of wonder about the world and a foolish sense of worth about yourself. And I, too, had both of those things. "
George C. Wolfe
Wonder
You
World
" Most musicals are informed by very rigid archetypes. If you get a very sophisticated mind writing them, you sense something else, but it's a folk-art form, really, at its best. At different times, I've tried to push against it as much as I possibly could, but ultimately, it is a folk-art form. "
George C. Wolfe
Writing
Best
Mind
" Every play is rhythmic control. If you want an audience to go on a journey, it's rhythmic control. You're crafting when they lean in, when they push back, when they breathe, when they surrender. "
George C. Wolfe
Journey
You
Back
" There's no place more theatrical than history. "
George C. Wolfe
Than
Theatrical
History
" I like to knock down walls and allow others to enter. "
George C. Wolfe
Down
Like
Others
" I feel like I'm edgy and I'm funny and I got this bite, this outrageousness. "
George C. Wolfe
Feel
Bite
Edgy
" When I was on dialysis, I willed myself to do 'On the Town.' It accesses my most childlike, joyful love of theater. "
George C. Wolfe
Myself
Most
Love
" I've always tried to do shows in a filmic way. I like it when forms smack up against each other. "
George C. Wolfe
Way
Tried
Always
" When you're writing, in theory, everybody is serving you. When you're directing, you're serving everybody - in the guise of acting like everybody's serving you. But you're really serving the materials. You're serving the actors. You're in charge, but it's not free. "
George C. Wolfe
You
Free
Serving
" I think all creative people are operating from the fear that, of the best of what they did, will anybody remember it? Will anybody tell stories about them? Will anybody keep those pictures on the mantle long after they are gone? It's why people write stories. It's peoples' grave markers. "
George C. Wolfe
Creative
Fear
Best
" Musicals spring forth from minstrelsy, vaudeville, melodramas; it was all these things combined to create the form. "
George C. Wolfe
Spring
Things
Create