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All Quotes by author - Gus Van Sant
" Because I didn't have brothers, I was always interested in the kids down the street that had four brothers in their family, so I became one of them - but it was not my family. "
Always
Because
Down
" Death Valley is really wide-open - it's bigger than Rhode Island - and it's less a part of California than an ungoverned territory, so there's lots of weird cops-and-robbers stuff going on. "
California
Weird
Valley
" Even if you try to copy a film shot by shot, you still can't. It's still your own film. "
Try
You
Copy
" Even when you're making a movie about life, death is a presence, and I guess it's part of my dramatic viewpoint. I'm not sure why exactly. Maybe I'm drawn to it as a story element. "
Why
You
Story
" Everything's changing so fast that it's sometimes hard to keep up. "
Sometimes
Hard
Up
" For all the boredom the straight life brings, it's not too bad. "
Life
Boredom
Bad
" Free time keeps me going. "
Keeps
Going
Free Time
" Free time keeps me going. It's just something that's always been a part of my life. I was originally a painter, and I made films sort of as an extension of that, and then I started to try to make dramatic films because the early films were experimental films. "
Early
Me
Free
" Gay marriage is the last bastion of, to me... as a legal, ceremonial, sentimental and religious side, it's one of the last steps. Retaining your job being one of the earlier steps, like, not getting kicked out of your job because you're gay. "
Gay
Marriage
You
" I'd come into filmmaking as a painter so, for me, making 'Good Will Hunting' was experimental because I didn't know how to do it. "
Know
Me
Good
" I did 'Mala Noche' as a way to do something that was outside of the system, because I was outside of the system, and I deliberately chose material that Hollywood wouldn't touch in a million years. "
System
Way
Hollywood
" I don't think American independent films have ever really been particularly experimental, except for the original guys from the '60s who were huge influences, like Stan Brakhage, Robert Breer, and Stan van der Beek. They were the true independents. "
Independent
True
American
" I don't usually direct actors in the classic sense of that word. Instead, I try to remind the characters before the shoot what's going on in a very simple way. I then watch them, their inventions as actors, approving or not approving what they're doing. "
Classic
Doing
Simple
" If a movie isn't released, it's one thing, but if you know it will be, it's nice to have closure and see it come out. "
See
Will
Closure
" If I'm diagnosed with cancer I might become despondent, but someone young might not, and they might need connections with somebody outside their circle of family because their family is so despondent. "
Need
Family
Young
" I find it interesting, the different rules that apply to journalism and drama, even though journalism has become more and more about entertainment, and entertainment has become more and more about journalism. "
Drama
Rules
Journalism
" If it were up to the executives, they probably wouldn't have directors at all. "
Executives
Directors
Up
" If you don't have the story and the unfolding of the trajectory of the saga, it's like getting in a car and not having any gas. "
Having
Like
Car
" If you put up posters around town for high-school kids, high-school kids will come. If you're casting politicians, you can't put up posters and have politicians come down. "
Up
You
Politicians
" I had never had a positive leading character - somebody that wasn't an antihero, or who wasn't more of a guy that you're supposed to be on the side of. "
More
Character
Positive
" I hadn't made a big-budget film, and in Hollywood there's a sort of man and boys situation. You're a man, you make $80 million movies! As if it's harder to make an $80 million movie. Well, I guess businesswise it is because you have more executives to argue with. "
You
Situation
Movies
" I had wanted to do a comedy. "
Had
Wanted
Comedy
" I have my ideas of what a good documentary is, but drama is a different animal because you're arranging everything. "
You
Because
Drama
" I mean, I think I'm pretty sentimental. "
Sentimental
Think
Mean
" I'm normally drawn to something I haven't done and seen before. "
Drawn
Something
Seen
" I'm thinking of remaking 'Psycho' again. Doing a third remake. The idea this time is to really change it - we're talking about doing a punk rocker setting. "
Thinking
Time
Change
" I'm usually trying to react to what the actors are coming up with. And then the environment, and then the story. "
Environment
Up
Story
" In high school, I read 'Silas Marner' and I was very attracted to this character - he was very rundown and he'd just stop, and things would happen around him. "
Character
School
Stop
" In rare cases, I've had music before I shot the movie. I think that for 'Good Will Hunting' I had an Elliot Smith record or a couple of them and I just somehow felt like the sound had something to it that reminded me of the story. So in that case there was music beforehand. "
Music
Good
Think
" I think over the course of 14 films, I'm returning to a place that I know to tell a story... the same way Spielberg returned to fantasy, Lucas returned to the 'Star Wars' saga, or John Ford returned to the western. "
Think
Way
Story
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